With a large number of music awards and is a member of the Board of the Nobel Prize, succeeded Michael Kazinik interest in classical music revive. Tickets for his lecture like hotcakes fly, despite the adult price. Why? His logic is paradoxical and gives a fresh look at familiar objects and phenomena. He argues, seemingly absurd things. Why? His lectures on the radio "Silver Rain" - a musical examination abruptly, as investigations of Sherlock Holmes. Michael Kazinik as Figaro. It is almost impossible to catch. A few days ago he was in Riga, in Stockholm today, tomorrow in Italy, and a few days - in Moscow. And what was the pace of life, the stereotypes and breaks his away? The blinders from the eyes of millions of people Properly intensive. Kazinik Michael - Michael S. tell our readers who you are? - I've often than the tuner souls. After all, the creation of art is always, it literature, music or poetry - is vibrating energy source. But most people, unfortunately, for various reasons, are not like a spoiled receiver set to a wave of art. I have a problem - adaptation, repair and testing in action. Michael Kazinik - musicians, musicologists, cultural commentator, writer, director, actor, professor of Dramatic Institute in Stockholm, a leading expert of the Nobel concert. Born in 1951 in St. Petersburg. Raised in Vitebsk. Since 1991 he has lived in Sweden, works in Dramatic Institute in Stockholm and the Graduate School of Business, Scandinavia, promotes classical music around the world, a leading music programs on the radio in Australia and SBS Axess TV (Sweden). "Silver rain" cooperates with the Russian radio station "Orpheus", TV channels (TVC, rain) and prints. Created a series of more than 70 films. "In a free flight or ad libitum", dedicated to world music culture Author of the book "Secrets of genius, or a book for humans genetic memory is lost." Holds an annual conference of doctors on the island of Gotland and in Stockholm and workshops for business people. - In your case is small globe. Therefore, the field of your work - the whole earth? - Of course. Because our country is not much. I'm trying to reach more people who for one reason or another out were happy occasion understanding and enjoyment of the arts. And we give a sufficient number of years to take root and form a personality, which may happen later perceive other possible art. I write a lot of letters. Not long ago I received a message from the remarkable words:. "Our 16 year old boy who had always been a problem, our family hoisted to your gear He also ran for Dostoevsky, bought all the records of Bach and now our family has changed. We no longer have the problems of parents and children, as state of the art, as before God, all are equal. Nevertheless, in art, there are no fathers, no fools, and it is eternity. "When nature is, ridiculous to speak of life and death, of a transitional age or retirement. Because the man in front of art has no age or social status. - When you realized that a tuner for the human soul - your mission - In the fifteen years. I met a wonderful woman. She was a poet. And she told me, "Go to the people, you will succeed, you - you can.". Its first meeting I had at the University of Leningrad. And then there were a lot of meetings - in institutions, schools, factories and ... even in prison. -? - Yes, I really wanted to do in prison. And I went up to him. In the city of Vitebsk, I was in various prisons and read the papers. And many of the prisoners after the lecture came to me and said, ". If we had the chance to hear it before, no prisons would not be" So I have a lot of memories. But I will not write an essay, they have no time. I have to write books and produce programs. - But memories are important for everyone? - Because of my experience, I had a system to change the relationship between people, nations and even entire nations. - What is the essence? - The system of education. The old system of education in the last century may have been perfect - transferred without the internet and with a minimum of television and radio channels. But now, thanks to the Internet, the world has to be single, there was an explosion of information and the amount of information doubles every three years. Today to talk about the filling of data of students, is not only ridiculous, but also stupid. Video clip of the last century, the education system is outdated. Teach today must not anecdotal, and to think of the production capacity and are guided in this rapid flow of information. So I decided to try me, your ideas on the example of the small town of Vyksa and offered to teachers teach different system. Fund "participation" has prepared all the requirements for the project. After talking with the teachers at the conference, I gave them the job. And the teachers tell me the results. They sparkle in the eyes, because they liked it and I think they saw that in fact, to build a new school. - What needs to change? - All. First of all, the school should cease from being a video clip in which the geography teacher reads his subject 45 minutes, a teacher of history -. History of 45 minutes and so on One odd thing. In these facts, there is no system. But geography - the location of the story - this time and culture - fills the space and time. Several teachers simultaneously perform a topic that all students are at the same time study. Learned in school and offers students the key to understanding the laws of life and the universe, have they made and worthy. Think about it, we give it six or seven children to school for twelve years, and that we get a result - after six hours a day for many years, professionals involved with them? We often get the uneducated children with sick mentality and, worst learn to hate it. So, the school in the form in which it exists now obsolete. - One of the most popular topics for the Russians - is the reform of education. - Her, the same people who try to change the mutilated the school from generation to generation. You raise a number of important issues, the most important issues, all built from Socrates to Kant throw the word, the concept, the rhetoric, that's all, where there are sure to civilizations. Now the main theme will be "Russia in the World." What is this thing? Enough to go out, and immediately become clear. And then compare it to travel around the world. Then it becomes clear. If one makes the subject honestly, it would be the worst thing to be in the history of mankind. And these children from that Russia is something to choose from. And they will certainly choose! Today, many children in different countries, they have the opportunity to compare. Russia is not strong, the quality of life, not by the quality of homes and cars, and even cleanliness of the streets. It is a great spiritual and creative contribution to the spiritual treasure of mankind. What we've done in the field of culture, literature, music, philosophy, during the 19th Century and early 20th Century - is unique. But I understand that the issue is not "Russia in the World" about it. For it is thrown out of training. If we assume that this is done intentionally develop, can paranoia. It is better to assume that the people involved in the design, not only educated. And it's scary. You get unprecedented performance. In Russia, the government not only hell, but sexy. And it has been at least a thousand years. - As for the Inferno - okay. What do you mean mean by the word "sexy"? - In Russia, the authorities did not cooperate, and possession. Purely feudal, with the right of the first night. This power has everything: all the people, all the plants, all the land and its resources. This property is completely and absolutely. All those flashing lights, if you give in, you pray and abdominal pain go down to the last official, because he must have a right. This ominous sublimation of erotic, sex, where you - want absolutely passive participant, you do not want, but that you, and you need to be passive neighborhood to be with them. They always remind me of. No country in the world, no one, not talk much about politics! It's pointless, because there are many other topics are: We can talk about travel, weather, nature, men, women, literature and art. But always play a few political names - it's tenderness and sexual problems. As if the country can not live a day without and their parliaments and authorities. I remember fifteen years ago, I led a tour for her Swedish students. We stood in the Kremlin about the Tsar Bell. Suddenly the police rushed us, and began to push. Sweden, even children - freedom-loving nation had, no one could touch them. They were in shock. They began to push aside for the bell away from the edge of the road. Drove someone important! My Sweden were so shocked that they had lost the power of speech. Another example from my life. About ten years ago I played in the same city, far from 150 miles in a very famous artist was born, and I was asked to go there. I'd love to, but I was afraid to miss the concert. I calmed down and promised that the trip will be fast. And it did. They took me into the car of one of the most influential officials, and we drove at a speed of 180 km / h on a very narrow road. The glass in the car were tinted. And I could see rows of cars stopped at the roadside and police officers are all the way under the hood. Feelings I can not remember that far. It seemed to me that our car - a giant phallus, without the permission of all punctures. And all this is about - it is a solid bosom, which I enter without rights. When we came to the place, and welcoming hosts were waiting for me to set tables, to be honest, I'm not a piece of climbing into his throat. I do not like - no pool, no fuss over me. So I have this fearful power over men. I am a different person, and my values are the other levels. But in fact the whole of Russia, this pattern is repeated. This is the absurdity. - And how do you explain the enormous interest of rich Russians to classical music, theater and exhibitions? What appeared suddenly for a spiritual hunger? - I think it's all turned absurd side. Learning that the introduction to the culture, especially for classical music is one of the signs of belonging to a select group of people, and they all wanted to be such a group. If you - you popsovik - the person promotion. And the work that you have - a pipeline. Classical culture is always focused on the individual. A person must not depend on the operation. There is in this country that experience and everything that falls in the Russian magazine, immediately assumes the opposite state. As Huberman wrote in his "Garik every day," "I'm sorry Marx, was his heir Russian script, where the end justifies the means, and the means ... over the top." - What is your attitude towards Russia? - I'm in love with his country and his people. I had almost no contact with the West, while living there. I think that now we have our best for the country, which I do very actively engaged. The interest in my work. But, unfortunately, it rotates very slowly. I do not hit women's feet and does not need to be changed. If I had a woman at every turn, I would be much more interesting to more people. But because I have a life with a woman and never beat women or men -. No arms, no legs - I do not see any interest in the Russian press - How to choose a theme for their services? In early April, you will have three concerts, lectures at the Polytechnic Museum. - I come to Moscow with concerts twice a year, and this time will be my fourth visit. We started with my producer Julia Brook can as simple styles, trends, different eras be. Now we go deeper. My first lecture was entitled "Space Mussorgsky." When I started this, I doubt that anyone came to me. And now everyone knows that the "Space Mussorgsky" - is not just a concert, and that immersion in the unique knowledge. Mussorgsky being the brightest of all members of the creative association "Mighty Handful", he -. Sverhgeny and throughout his life, the horrors and nightmares and diseases carried by their commitment His cycle "Pictures at an Exhibition" - is one of the largest cosmological theories. For me Mussorgsky - a phenomenon. And not just music. This phenomenon of culture, philosophy, astronomy and cosmology. A game is a phenomenal pianist Andrei Shibko. He, like many great musicians play, especially in the West. The next concert is scheduled for 3 April. It participate pianist Vyacheslav Zubkov I met in Kiev. It was enough to listen to music, and I thought ". How many talented people we have lost" He is the winner of various music competitions, but it's not raspiaren. I am sure that the audience at the concert will be hard to sit in a chair. Since the program on Liszt, this year dedicated to the 200 years. It was as if we will be called the spirit of Liszt. A third program - the story of the quartet. I and my students have achieved such a high level! When composers wrote symphonies, these works were the most democratic genre. In his Ninth Symphony by Beethoven appealed to millions, knowing that millions will hear it. Otherwise it makes no sense to handle. Symphony - a huge hall, a large number of musicians, it is - an explanation! A quartet - a creative laboratory of the composer, where he can show deep emotions, experimental ideas are of interest to test for him and for a small number of people. This is the third meeting, and it shows my confidence in the audience, I see that they are so deep that I can not afford such a familiar tone are. Our journey begins in the genre with a quartet of composers of the Viennese classical and chamber music is one of the geniuses of the twentieth century, Dmitri Shostakovich finish. I positioned my concerts as unusual. And so I spend it in the most unusual room in Moscow - at the Polytechnical Museum, which was once a center of culture, read their poems here Christmas, Ascension, Ahmadullina. And before that - Blok, Akhmatova, Mayakovsky. I positioned my concerts as a continuation of the cultural traditions of the time. - You are not only fascinating scholarly narrator. But often, you will talk about a new best-known facts. Your logic is a narrow-minded view of a paradox. - And you know what encoding the whole story "of Tsar Saltan" by the number 3? Not only that Pushkin wrote a brilliant story with a brilliant idea, because he's happy and math games still! Starting with three girls under the window. Three - in everything! Three actions, three trips, three conversion Guidon and three miracles. A Knight 33? Though Prince Guidon is open barrel this text: "knock the floor and went 'three hits in three sounds!" In ". Bow is made up of three sets. Manufactured phenomenal, simple and nice! A three flights Guidon? If it is necessary to fly for the fourth time, was the Guidon" My wife and I have. "And to avoid distraction the Trinity But all the art -. it's a great game great music -. it is easily and harmoniously, it communicates with the cosmos when it seems the hard chords that exist in other areas, the way out of depression is to happiness . in Beethoven's Pathetique Sonata just pathetic - a few seconds and then after a flat top and the B-flat in the bass -.. to go to a wonderful movement, emotion and activity all great art - happy because she knows eternity . it overcomes death and very quiet in their structures. art can not be serious, because we play games with the gods. Yes, that's it! People dared to play games with the gods. As Pushkin, Mozart or Bach. This is a great game and hear the divine person there, big and tall. Larisa Alekseenko "Showbiz News NEWSmusic.ru»
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