The musicians of "Kipelov" held 13th March press conference on release of the single "On The Edge" and the recording of the future long-awaited album. - The question that is most interested in your fans: When will the new album? Alexey Kharkov: At this point, the rhythm section is written down everything, after the concert, we sit down to write a guitar. Nothing stops, we hope that in the autumn we will publish it. Depending on how fast the text is to attach to the rest of the songs, probably because the studio time we have enough. - As for the text: who you are right now? Valery Kipelov: We are, as always, to Marguerite Anatolievna Pushkina. The song, which sounds on the new single, written by Margarita Pushkina. So it happened that no one else can not we unfortunately can. - And try? Valery Kipelov: attempted. The fact is that, if you work with a long and the same person, you basically know each other very well, to be on the same wavelength. And look for someone else - it's very difficult. Not only that it should be a good poet, he should also know that you want. We sometimes like dogs, can not even tell you what we want. Music written and would like to reflect that in this song, not always successfully. You can count on the fingers to explain what I like so and so, but it is rather vague. And we simply work with Pushkin, she knows what we want and what we expect. In addition to working with her in this regard it is more convenient, it is uncompromising. If we do not like to do something, I know that many poets have resisted, and they say that in another way, I will not write. With Rita, we have other relationships, it may need to compromise in order to write a text, second, third, fourth, fifth, until we reach some kind of compromise. Valery Kipelov - The unique addition of a new song has several old. What is the reason for their choice? Vyacheslav Molchanov: We originally wanted it orchestral, to make an acoustic version, and decided to take the two older songs, because we are very well suited to it to think to perform with the orchestra and with acoustic guitars. "I'm here" starts with piano and there's a lot of string arrangements. And so we decided. Valery Kipelov: H and I would add that the "night in July" is no accident, for it was a long time ago, written in 1997, and in the old version. Moreover, it has not been sound on DVD. On the live shows, which we filmed and recorded So the choice fell on her. Less worn, say. - Why it is selected for a single song, "On The Edge", as it attracts attention and will vary with the version of the song from the single, which will be on the album? Valery Kipelov: The song was for the reason that she was ready elected. Was willing arrangement was almost finished text. There was another solution. Was ready song we sang at the concert, but we did not want to prematurely sell the product in the face. And we left them for a full-fledged solo album. - How many of his songs on the new album? Valery Kipelov: We plan to 10 songs. - How much will it be ready? Valery Kipelov: Well, half of it. Half done, work on the rest of us. I mean, he was ready for text. The rest is done all you are writing. - Has anyone involved in the arrangement of the songs? Vyacheslav Molchanov: Update on the new album - no one accepted. We're totally out of the group and keyboard arrangements, and everything else. As for the single classic professional arranger Igor Gorsky was brought and played his quartet. We loved it. The musicians of "Kipelov" held a press conference - On what basis do you want to work with who they? Andrei Golovanov: Just try to work. Valery Kipelov: arranger keyboards all working. That is, the guitar, drums, bass, vocals - all you can do yourself. A keyboard to lack of proper knowledge. This is not on the keyboard. It is his view of the party. Therefore contain most a keyboard. Certain names, but if we say here, or know a good arranger, we turn to us. - What Russian student record you want? Vyacheslav Molchanov: All single, all drums and guitars on the new album we have recorded in the studio of Sergey Bolshakov. Now it is the "new age" or something similarly named, but in general, the studio is best known as the studio was Sergei Bolshakov. Valery Kipelov: I would add that there are many familiar commands. A good, professional studio, very well everything is organized. Very professional and working people. We had a funny story. When we recorded the album "River of Time", everything happened very strange. We arrived in a small house on Gogol Boulevard, it was a studio, I will not mention what it means. Then someone decided to remodel the upper floors. Code, I came into the studio, wrote Sasha Many Akin drums, and fell to the plaster. If Alexey Kharkov wrote bass, there were maximum destruction. Overall, we recorded the drums and bass are, and moved into a studio in the Kursk. She was also in the process of repair, and we were the first to open the studio. It is the latest and here. And then we went back there, and the studio is already gone, on Gogol, and there was a huge pit. And we could write the same song as "Deep Purple" once "Smoke on the Water", the story of the recording of our album. - We now have the opportunity to realize watching the sound check and the group that you sound like a lot of attention, as the band. Tell me, you are a strong team leader? What is your responsibility for the team? Valery Kipelov: You know, this is a misunderstanding in relation to sound check. I just made the last coming when guys have basically built their instruments. I know what a navozhu bows, which is called currently rolling. The attempt to compensate to build the entire stage. A strong leader - I do not know. I honestly do not know how to be a leader. Like it not, to take responsibility, but we do often enough. I am a gentle man, a leader must be hard, sometimes even cruel. If it is necessary for the case. - Another question about the album. Mastering and mixing you plan to do in Russia? Valery Kipelov: We plan for mixing and mastering is not in Russia. Now we have found several ways. We are basically happy. With the studio, where we have a single work, but at some point we realized that this is not quite what suits us We were looking for something better. Now we have several options. We sent a single track in different studios and have different information and different options for mastering options. And for me, we found that in some places, it may be better. The fact that there is to be outside of Russia, it is absolutely true. So convenient. It is more convenient, because many times we have to do is try to reduce, nothing good came out. Abroad level is completely different. It should be specialists, and they are treated with experts. When watching the musicians, everyone wants his party sounded louder. It is very difficult to find a consensus. And when people from the outside, and you trust him, he razrulitsya this situation the more he is an expert and knows how to do. To ensure that the tools do not interfere with each other to a normal, proper arrangement, the front, rear. In fact, we have come to this, because who will do what ever I do not know any group that would sound good to know here. Moreover, there is now a possibility to do it in real time. This means that we are sitting in his studio, and communicate in real time with sound producer and allows you to instantly reach a consensus. - Why the change is produced label? Valery Kipelov: With the crisis. We are to a certain extent also touched crisis. Maybe less because we do not work for corporate events, only official concert where tickets are sold. Number of shows we are reduced, since the work on the album. Therefore, we can not notice particularly. And the publisher have no problems. Well, it happens Sun We wanted, we were very satisfied with the cooperation, but it happens. - For the new album you have chosen the label? Valery Kipelov: Yes, we are an album on the same label, where we have a single - The mystery of sound. - Do you see yourself for some competition? Many Alexander Akin: Participants must have a. But this is a good, before the group was now two. Healthy competition among themselves, communicate normally. No more for now. All other groups, they have a little different music, more rigid and aggressive. And so - many simply copy, we used to copy. Valery Kipelov: Sasha called the group "Master", they just play different music. They are more focused on the clubs. There are a lot of good teams, "The Black Obelisk" is the same, very good musicians. But this kind of competition that we do not. Real competitor - the group "Aria". Who we are constantly compete. They have two albums, we still have one. But we will try for, say, to compensate. Many Alexander Akin: But we live two. And the single is. Two. Valery Kipelov: While 2:1 - There are plans to work with a group of "Aria"? Valery Kipelov: concerts in St. Petersburg and Moscow were excellent. Possible. I think we have a suggestion for the next album. "Hero of Asphalt" 1988-th, then the 1989th "Playing with Fire", but I do not know. I heard vaguely that something they are planning for the summer. The fact is that I am very busy. Many Akin Alexander: Do you remember the album "Playing with Fire" 16 March 1989. Valery Kipelov: Yes, that is exactly 20 years to this album. The offer is there, but look for the summer. Because I am a young man, it is difficult to pulverize me. Still want to bring to mind the album, and maybe it turns out that in the summer I'm going to write easy-to-end songs for the album. I'm still trying to focus on one thing. Was very hard, and here and there, and because I refuse to often. Not because I'm some kind of star, I know I need to do something alone. For everything I just do not. After the press conference, a concert presentation, please read about it here Maria Tsereteli, NEWSmusic.ru photos Catherine Bezrodny, NEWSmusic.ru
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